FOUR LEGS GOOD (1978-present)
An ongoing portfolio, ever more intimate, of the life of animals where animals becomes the landscapes. Includes diptychs, triptychs, and abstracts.
THE BACKSTRETCH (2004-present)
The photographer became a licensed New York Racing Association employee and hot walker in order to intimately photograph life on the backstretch of one of the oldest thoroughbred race tracks in the United States.
SOME WOMEN (1974-present)
A continuing exploration of women and the photographer’s relationship to them and herself, includes self-portraits. Includes catalog and “The Barbie Doll Book”
THE LAST COUNTRY (1995-1998)
A portrait of rural Appalachia today, focusing on elderly farmers in a southern West Virginia mountain community. Part of this project sponsored by the Mid-Atlantic Arts Foundation.
CAUGHT IN THE ACT (1981-2006)
Performance photography documenting over a decade of dance, theater, and performance art. Published by Aperture as Caught in the Act; A Visual History of Multimedia Performance (1996).
THE GARDEN OF EDEN (1983-1998)
Fifteen years of participatory photography with the mentally ill and homeless of NYC. This portfolio documents a community of schizophrenics who live on Coney Island. Includes photographs hand-colored and written on by people with severe mental illness.. Winner 2002 Lange-Taylor Prize. The portfolio also includes “Picturing Ourselves” (2002-2004) a collaborative documentary project in upstate New York.
PORTRAIT OF INNOCENCE (1998-2000)
Portraits of men wrongfully convicted and later exonerated through DNA testing.
A WOODCUTTER'S CHRISTMAS (1990-2003)
Photo-essay of discarded Christmas trees on NYC streets. Pub by Council Oak Books (2001), story by Brad Kessler.
ALPHABET CITY (1980-1998)
A look at the gentrification of the Lower East Side. Includes an artist book.
THE NUCLEAR SURVIVAL KIT (1978-1985)
A seven-year look at the Nuclear Industry in America. Includes street posters and three artist books.
ARRESTING IMAGES (1980- )
A portfolio of street protests, demonstrations and political actions .anti-war, woman’s issues and ACT UP.
WILLIAMSBURG, BROOKLYN (1977-1980)
Photographs of the Hasidic and Hispanic communities.
BLACK & WHITE AUSTRALIA (1978-1979)
A look at an aboriginal community in the Australian Outback. Includes an artist book.
THE SEVENTIES (1974-1979)
Early work from the American west.
WORK IN THE COMMUNITY (1983-present)
Includes portfolios of community artists who documented themselves, standing behind the camera, not in front.